Darla (Bio)
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In
1609 The Master, the leader of the Order of Aurelius, sired Darla
who was a prostitute dying from syphilis in the Virginia Colony.
We don't know her real name just the one The Master gave her
because she was his 'darling', his 'Dear One'.
ANGEL
reading from a book: “Darla: Anglo-Saxon
derivation, meaning ‘dear one’.” Didn’t
come into common usage until more than 100 years after
she was born. He must have given it to her. I didn’t
even know her real name.
Darla (S2,Ep) on AtS
"Darla
- An alternate form of "Darlene." The source of
Darlene is an English expression, meaning "darling." (Source)
In
1727 in Galway, Ireland she sired Liam who became Angelus.
For a while they had a small family including James and Elizabeth
until their death and seperation. Later on Angelus
sired Drusilla who in tern sired William/Spike.
Other
then the above information we know nothing about Darla and
her life before being turned. We don't know what kind of a
person she was. All we know about her is about the time she
spent as a vampire on a killing spree across Europe with her
children.
In
1997 ("Angel" - S1, Ep7) Angel staked Darla and her
vampire form 'dies' for the first time. On AtS Angel's arch
rivals, the law firm Wolfram & Hart, resurrect Darla in
2000 and she becomes a human again. Unfortunately, she still
has syphilis and will die a natural death unless something
is done. Angel stopped her from getting vamped and chose to
go through some grueling trials to try and give her a second
chance at life.This human form of Darla, who has her original
soul, is gentler then the un-souled vamp version and wants
to live one way or another. Because she was brought back through
magical means and so has her' second chance', however short,
Angels request is denied and she is destined to die shortly.
One
of the lawyers of Wolfram & Hart, Lindsey, falls in love
with the human Darla and doesn't want her to die and leave
his life. He goes so far as to get Drusilla to sire Darla.
Originally Drusilla was Darla's grand-childe (Angelus' childe)
and now she is Drusilla's childe. This is an odd and unusual
occurrence which Drusilla finds funny.
Drusilla
and Darla go on a killing spree and Angel lets them massacre
many of the top lawyers at Wolfram & Hart. At this point
Angel is rather angry at W&H and lets his demon side surface
a bit for what they did to him by lettign the killing spee
go on.
Angel
and Darla have a last night of passion together and much to
both of their surprise she ends up pregnant, something that
is impossible to say the least. Darla travels the world in
search for a 'cure' and a cause, but ends up empty handed.
She returns to Los Angelus and visits Angel, the proud father.
They
soon find out that the life inside of her is human and has
a soul. Darla 'shares' this soul with Connor and becomes good
and loving for a little while. Her demon, blood sucking side
wars with the proud mother side of her.
There
is a prophecy in the Nyazian scrolls that involves Connor,
the child of two vampires. This cause some misadventures that
involve many demons, groups and individuals that want the prophesied
child of two vampires for a number of different reasons she
ends up in an ally one dark, rainy night.
Since
Darla isn't alive she can't give birth and so she feels the
life slipping and dying inside of herself. Knowing that this
is the only good thing she has ever done after hundreds of
years of killing and mayhem she chooses to sacrifice her unlife
for Connor's life and so she stakes herself (see
the clip below "Lullaby" -S3,Ep9).
During
Cordelia's birthing of Connor's child, Jasmine, Darla appears
to him to try and sway him away from sacrificing an innocent
girl
for the early birth of his child. Her please fall on deaf
ears and Connor allows the sacrifice to take place. His mind
was poisoned and
manipulated by Evil
Cordelia, as well as Holtz who
raised him to hate both Angel and Darla.
DARLA: Because
we shared a soul. I feel the pain, the anger, the hurt, like
it were my own. But most of all, I feel the good in you and
no matter how much you’re beaten or twisted or lied
to, it’s still there, in your heart. I know it and
deep down, you know it, too.
CONNOR: Why’d
you leave me? Did you hate me that much?
Terrified, Anna watches Connor talking to the
wall and starts sobbing again.
DARLA: Baby, no. I wanted
to be with you more than anything.
CONNOR: You killed yourself.
I wasn’t even born yet and you—
DARLA:— did what I
had to. My life for yours. I did so many
terrible things, Connor. So much destruction.
So much pain. You were the one good thing
I ever did. The only good thing. I’d
die every day for the rest of eternity for
you… and this is how you repay me?
" Inside Out" (S4,Ep17)
Darla
did one good deed by sacrificing herself for her child's life,
an unselfish act. She returns to try and lead Connor back onto
the path of good by saving the innocent girl and not sacrificing
her. Unfortunately, Connor is poisoned by the Evil Cordelia's
words and cannot be saved. In a way she has tried to be redeemed
herself and so is a 'fallen angel'.
The
tricky thing with any of the vampires on BtVS and AtS (Angel, Spike,
Darla and Drusilla) is that they all have done a hundred plus
years of murder and nothing can ever really redeem them. Even
if their 'good' actions are done selflessly and if they saved
millions of lives, how can you ever make it up to the thousands
that they hunted, tortured and killed? They can be 'fallen
angels' and try to redeem themselves, but they do so with the
knowledge that nothing could make up for their past.
DARLA:
No? Its really not, is it? We did so many terrible
things together. So much destruction, so much pain. We cant
make up for any of it. You know that, dont you?
ANGEL: Yes.
"Lullaby" (S3,Ep9)
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The
Master, Darla and Angelus
1760,
London.
Master: Angelus - the Latinate for Angel. (Laughs) It's marvelous.
DARLA: His name would already be legend in his home village - had he
left anyone alive there to tell the tale.
Master: Ah, you had a nice trip. I'm so glad.
DARLA: On the way back we cut a bloody swath through South Wales and
northern England. He was magnificent.
Angelus: Hmm, Yorkshire men - tough as leather. So, Darla here tells
me you're some sort of Master.
DARLA: *The* Master. He commands out order.
Master: The order of Aurelius. We are the select - the elite.
Angelus: And you live in the sewers, do you?
Master: We live below, giving tribute to the old ones. Awaiting that
promised day when we will arise -Arise! - and lay *waste* to the world
above us.
Angelus: Why'd you want to do that?
Master: Huh?
Angelus: Well, I mean, have you *been* above lately? It's quite nice.
Me - I could never live in a rat infested stink hole - like this, if
you'll pardon me for saying so. I got to have meself a proper bed or
I'm a terror. (To Darla) Isn't that right love?
Darla: (nervously to the Master) He's young.
Angelus: And this one, down in the goose feathers, and the finest silks
and linens and a view. she's always got to have the view (leans in close
to her) don't you, my lamb?.
Darla: We fed very recently. The blood is still hot in his veins.
ANGEL: (seductively) You noticed that, did you?
Master: We stalk the surface to feed and grow our ranks. We do not live
amongst the human pestilence!
Angelus: I'll be honest, you really couldn't with that face, now could
you?
Darla: Angelus!
Angelus: It's not stuck like that now is it?
DARLA: The Master has grown past the curse of human features.
Angelus: I'm not gonna get a bat-nose like that, huh? Am I?
Master: Very few vampires are cunning enough to have lived as long as
I have - which you've now demonstrated. (tosses him)
Angelus: Naples, you and me Darla. What do you say?
The Master knocks him down again.
DARLA: Angelus...
ANGELUS: This is no place for you - bound to the likes of him.
Master: You should show (Master hits him again) the proper respect.
Angelus: You belong by my side - out in the world - feeding as we like
- taking what we need. I'll give you that view you crave, darling. I'll
give you everything. (Master knocks him down again) Tell the truth -
whose face do you want to look at for eternity? His - or mine?
Master: You idiot. I *made* her.
Darla smiles at Angelus and he smiles back at her. The Master's smile
fades and he turns to look at Darla.
Master: You're leaving with the stallion, aren't you?
They start to go, a minion tries to stop them
Master: No. Let them go. He won't last. I give it a century - tops.
Darla
(S2,Ep) on AtS
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Angel
reads aloud from a book.
ANGEL: “Darla: Anglo-Saxon derivation, meaning ‘dear
one’.” Didn’t come into common usage until more than
100 years after she was born. (closes book)
He must have given it to her. I didn’t even know her real name. (to
Wesley) Any luck?
WESLEY: Not yet, no. Working on it.
Angel rubs his eyes.
ANGEL: Something will come up.
WESLEY: Yes. That’s my fear. Angel, you must admit that your record
when it comes to Darla has been spotty at best.
ANGEL: I killed her, Wesley, and she came back. They brought her back and
now I need to know why. I mean, why like this? Why human?
WESLEYL: Perhaps human was the only way Wolfram & Hart could bring
her back and hope to control her with any degree of success. Angel, I don’t
suppose it occurred to you that this might be why they brought her back?
You have all your attention focused on finding this one woman.
ANGEL: So you think Wolfram & Hart went to all this trouble just to
keep me distracted? Take me out of the game?
WESLEY: It is possible. And if that’s the case…
ANGEL: It’s working.
Darla
(S2,Ep) on AtS
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Darla
Gets Staked The 1st Time
Darla:
Do you know what the saddest thing in the world is?
BUFFY: Bad hair on top of that outfit?
Darla: To love someone who used to love you.
BUFFY: You guys were involved?
Darla: For *several* generations.
BUFFY: Well, you been around since Columbus, you are bound to pile up
a few ex's. You're older than him, right? Just between us girls, you
are looking a little worn around the eyes.
Darla: I made him. There was a time when we shared everything,
wasn't there Angelus? You had a chance to come home, to rule with me
in the Master's court for a thousand years, but you threw that away because
of her. You love someone who hates us. You're sick. And you'll always
be sick. And you'll always remember what it was like to watch her die.
You don't think I came alone, do you?
BUFFY: I know I didn't. (aims crossbow at Darla.)
Darla: Hmm, scary. (pulling out 2 pistols) Scarier! (shoots Angel) Oh,
don't worry. Bullets can't kill vampires. Can hurt them like hell, but...
(giggles)
(...)
Darla: So many body parts, so few bullets. Let's begin with the kneecaps.
No fun dancing without them. (Buffy shoots her)Close, but no heart.
Xander, Willow & Giles arrive
XANDER: We need to distract her, fast!
WILLOW: (calls out) Buffy, it wasn't Angel who attacked your mom, it
was Darla!
fighting
Darla: C'mon, Buffy. Take it like a man!
Angel stakes her.
Darla: Angel?
"Angel" (S1,
Ep7)
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Connor's
Birth
Darla
stands atop an office tower, looking down over the cityscape
below, her hands cradling her pregnant belly. Angel appears
behind her.
ANGEL:You always did love a view.
DARLA:Look at it. Listen to it. Can you smell it? This world. This horrible
world. Why would anyone want to bring a baby into it?
ANGEL:To make it better, maybe?
DARLA:Or to destroy it finally.
ANGEL:Why is it everyone insists on planning my sons future before
hes even born?
DARLA:All right, then. Hows this? It doesnt have a future.
Not with me.
ANGEL:Darla
DARLA:Angel, I cant have this baby.
ANGEL:What?
DARLA:I cant let it out. I cant.
ANGEL:Okay, not sure you have a lot of choice in the matter
DARLA:Look, I know. It wants to come out. I can feel it. Its
ready. Its just
I cant let it. I cant let because
because
ANGEL:You love it.
DARLA:Completely. I love it completely. I dont think Ive
ever loved anything as much as this life thats inside of me.
ANGEL:Well, youve never loved anything, Darla.
DARLA:Thats true. Four hundred years and I never did
until
now. I dont know what to do.
ANGEL:Well, youll do the only thing that you can do. Youll
have it. Youll have it and then
DARLA:What? Well raise it?
ANGEL:Why not?
DARLA:Its impossible.
ANGEL:This whole thing is impossible, Darla, but its happening.
DARLA:What do I have to offer a child a human child besides
ugly death?
ANGEL:Darla
DARLA:You know its true.
ANGEL:No. What I do know is that you love this baby, our baby. Youve
bonded with it. Youve spent nine months carrying it, nourishing
it.
DARLA:No. No, I havent been nourishing it. I havent given
this baby a thing. Im dead. Its been nourishing me. These
feelings that Im having, theyre not mine. Theyre coming
from it.
ANGEL:You dont know that.
DARLA:Of course I do! We both do. Angel, I dont have a soul.
It does. And right now that soul is inside of me but soon it wont
be and then
ANGEL:Darla
DARLA:I wont be able to love it. I wont even be able to
remember that I loved it. (sobs) I want to remember.
Angel wraps her up in a hug.
ANGEL:Shh
Darla looks up at Angel desperately.
DARLA:You wont let me hurt it, will you? Youll protect
it, right? From me, I mean.
(...)
ANGEL:(to Darla) Youre going to be okay.
DARLA:No. No, I dont think so. Once hes gone, I wont
be okay. I wont be okay at all. I dont know what Ill
be. Angel
our baby is going to die right here in this alley. You
died in an alley, remember?
ANGEL:I remember.
DARLA:I want to say Im sorry. I want to say it and mean it
but
I cant. (beat) Arent you going to tell me its okay?
ANGEL:No.
DARLA:No? Its really not, is it? We did so many terrible things
together. So much destruction, so much pain. We cant make up for
any of it. You know that, dont you?
ANGEL:Yes.
DARLA:This child, Angel, its the one good thing we ever did
together.
Angel lifts Darlas hand and presses it against his lips.
DARLA:The only good thing.
Angel buries his face in his hands and takes a sobbing breath.
DARLA:You make sure to tell him that.
Darla picks up one of the wood splinters from the shattered wall
and plunges it into her own chest with a gasp. Angel lifts his head and
stares in shock as Darla disintegrates into dust with a fading scream.
In Darlas place, a human baby lies on the rain-soaked pavement,
crying.
"Lullaby" (S3,Ep9)
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Darla
Speaks to Connor
Anna’s
(who is going to be sacrified to quicken the birth of the
ancient power that has taken over Cordelia) eyes suddenly
snap open and she gasps when she sees Connor kneeling over
her in the meat packing plant.
CONNOR: It’s okay. I’m not going to hurt you.
ANNA: Please…
CONNOR: Brought you some water.
He holds out a bottle for her.
ANNA: I gotta get home. My mom’s gonna be so mad.
CONNOR: I’m sorry.
ANNA: I won’t tell anyone, I promise! Please, just let me go.
She starts to sob quietly and Connor watches awkwardly, not sure
what to say.
DARLA: (o.s.) Listen…
Connor looks around at the sound of her voice, faint as if coming
from a great distance. He doesn’t see anyone else in the empty
room.
CONNOR: Somebody there?
DARLA: (o.s.) I’ve always been there, close to your heart. After
all… He looks over toward the dark corner of the room as DARLA:
materializes out of thin air in front of him.
DARLA:… isn’t that where a mother belongs?
Connor stares in shock at Darla, trying to come to grips with the
sudden appearance of the vampire mother he knows died giving birth to
him.
DARLA: The Powers have sent me to give you a message.
CONNOR: You can’t be my mother.
DARLA: I have her memories, her feelings. Isn’t that what makes
a person who they are?
ANNA: Let me go… please.
Darla looks over at Anna huddled in the corner, then walks over and
knees next to her. Anna remains oblivious to Darla. Only Connor can see
her.
DARLA: I know that sound. The look in her eyes, the smell of fear. I’ve
nurtured it a thousand times in all the people that I’ve murdered.
CONNOR: My mother’s dead.
DARLA: But I will always be a part of you. You shared your soul
with me once, when you were growing inside of me… when I’d
lost my own. You brought light to my shadow, filled my heart with joy
and love. I’d never felt so close to any living thing as I did
to my beautiful boy.
CONNOR: Why’d you leave me? Did you hate me that much?
Terrified, Anna watches Connor talking to the wall and starts sobbing
again.
DARLA: Baby, no. I wanted to be with you more than anything.
CONNOR: You killed yourself. I wasn’t even born yet and
you—
DARLA:— did what I had to. My life for yours. I did so
many terrible things, Connor. So much destruction. So much pain. You
were the one good thing I ever did. The only good thing. I’d die
every day for the rest of eternity for you… and this is how you
repay me?
She looks over at the helpless young girl.
CONNOR: You don’t understand. We need her for our baby.
To keep it safe.
He says the words but he acts like even he doesn’t
believe them.
DARLA: By anointing it in the blood of an innocent? You really think
that safety can be plucked from the arms of an evil deed?
CONNOR: Good, evil… they’re just words.
DARLA: Don’t let this happen, Connor. Don’t let my death
mean nothing.
Darla kneels next to the sobbing girl as Connor tries to
convince her he’s right.
CONNOR: They hate us because we’re special.
ANNA: I don’t hate you. Please…
DARLA: They’re scared because of what you’ve done,
not because of what you are.
CONNOR: They wanted to kill me when I was still inside of you!
DARLA: But that changed when they saw you, held you in their arms, felt
the warmth of your skin, the goodness in your heart.
CONNOR: And it’ll happen again when they hold my child. (re: Anna)
It’s the only way.
DARLA: You have a choice, Connor. That is something more precious
than you’ll ever know.
CONNOR: What choice? They’re hunting is like animals!
DARLA: Because you’re acting like one. As a vampire, I
killed without mercy or remorse because I didn’t have a soul. What’s
your excuse?
CONNOR: You think I want to do this?
DARLA: Then don’t.
CONNOR: I have to.
DARLA: Why? Because she told you? There are things happening, Connor,
things that I can’t… (beat) It has to be your choice. You
can stop this.
CONNOR: (whispers) Her blood for our baby’s… that’s
fair, isn’t it?
ANNA: Please… I want to go home.
CONNOR: Shut up!
DARLA: This isn’t you, Connor.
CONNOR: You’ve been gone a long time, mom. How would you know?
DARLA: Because we shared a soul. I feel the pain, the anger,
the hurt, like it were my own. But most of all, I feel the good in you
and no matter how much you’re beaten or twisted or lied to, it’s
still there, in your heart. I know it and deep down, you know it, too.
Connor leans down and reaches for Anna. She pulls back, terrified.
CONNOR: Shh… it’s okay.
He starts to undo the ropes around her wrist.
DARLA: You’re all right now. Everything’s going to
be all right.
CORDELIA: (o.s.) What are you doing?
Connor turns around to find Cordelia standing the doorway holding
a meat cleaver. He stands up, nervous.
CONNOR: Nothing. I…
CORDELIA: It’s time. Take her in the other room. Connor hesitates.
DARLA: Listen to your heart.
CONNOR: (to Cordelia) She didn’t do anything. We should let her
go.
CORDELIA: No, we shouldn’t. We need her, Connor. Our baby—
CONNOR: Shouldn’t be anointed with innocent blood.
CORDELIA: Anointed? Who’s been filling your head with big confusing
words?
CONNOR: Just been thinking about it.
CORDELIA: Or maybe… a little birdy’s been pecking at you
behind my back.
DARLA: (to Connor) She’ll lie to you.
CORDELIA: You know how much they love to use the magick, Connor. A spell
for this, a spell for that…
DARLA: Close her out, baby.
CORDELIA: Whatever you’re hearing, whatever you think you’re
seeing, it’s a trick.
DARLA: Don’t let her in.
CORDELIA: It’s Angel.
Darla sees Connor is wavering again, coming over to Cordelia’s
side.
DARLA: No.
CORDELIA: Trying to turn you against me with a cheap vision of… Darla.
She smiles and looks over at Darla for the first time. Connor looks at
Cordelia, amazed.
CONNOR: You can see her?
Darla and Cordelia both vie for Connor’s allegiance.
CORDELIA: I see the lies.
DARLA: Connor, listen to me.
CORDELIA:It’s not her.
DARLA: You have to let her go.
CORDELIA: It’s your father. This is how much he hates you.
DARLA: I love you. Please…
CORDELIA: Torturing you with this sad imitation of your dead mother!
DARLA: Don’t let her do this.
CORDELIA: Are you going to let them do this to us? Are you going to let
them kill our baby?
DARLA: Connor, listen to me!
Connor is near tears, torn between the two sides. He finally shakes
his head, gives up and rounds on Darla.
CONNOR: You are not my mother!
He bends down and yanks Anna up by the ropes around her hands and
drags her out into the next room. Cordelia follows with the meat cleaver,
a satisfied smile on her face.
He drops Anna next to Cordelia’s magick circle. As Cordelia raises
the cleaver to strike, the girl looks up at Connor but it’s not
the girl any more— it’s Darla. She looks at Connor, her eyes
pleading.
DARLA: Please… don’t do this, Connor. Don’t—
Cordelia brings the cleaver down and buries it in Anna’s neck,
killing her instantly. A bright spray of blood shoots up and hits Connor
in the face.
Horrified, he looks over at Cordelia, who is also covered in blood. She
merely smiles at him.
CORDELIA: There. That wasn’t so hard, was it?
"Inside
Out" (S4,Ep17)
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